Launching the imagination: a comprehensive guide to basic design / Mary Stewart Stewart, a comprehensive guide to two-dimensional design / Mary Stewart. Editorial Reviews. About the Author. Author, artist, and educator Mary Stewart is the Foundations Program Director for the Art Department at Florida State. Launching the Imagination treats design as both a verb and a noun―as both a process and a product. Design is deliberate―a process of exploring multiple.
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Launching the. Imagination. A Comprehensive Guide to Basic Design third edition. Mary Stewart. Mc. Graw. Hill. Boston Burr Ridge, IL Dubuque, IA Madison . Download for Launching the Imagination: A Comprehansive Guide to Design Free Online by Mary Stewart "Launching the Imagination" treats des Design Free Online Mary Stewart pdf, Download Mary Stewart epub. Book details Author: Mary Stewart Pages: pages Publisher Download pdf Mary Stewart Best Ebook Launching the Imagination: A.
Launching the Imagination is the only foundational text with full sections devoted to critical and creative thinking and to time-based design.
The photo program is global, represents a myriad of stylistic approaches, and prominently features design and media arts as well as more traditional art forms. More than half of the visual examples represent artworks completed since , and over represent works completed since Compelling.
Interviews with exemplars of creativity have always been an important feature of this book.
Three of the best past profiles have been revised and a new profile has been added. Now inserted into the body of the text, each interview deliberately builds on its chapter content. In Chapter Five, designer Steve Quinn describes the seven-step sequence he uses in developing websites, logos, and motion graphics. In Chapter 8, Jim Elniski describes The Greenhouse Chicago, an innovative home that is both highly energy efficient and elegant.
Another popular design was the Adirondack chair, made from a series of flat wooden planes. These designs used modern materials and clearly displayed their structure.
By comparing existing chairs with the chair they wanted, Charles and Ray could identify qualities they needed to retain and qualities that needed to be changed. The familiar overstuffed chair 6. The Adirondack chair 6. The modern chairs were elegant and inventive but were expensive to produce and often uncomfortable. The Eameses wanted to create a modern chair that was comfortable, elegant, and inexpensive.
During World War II, the Eames team had designed and manufactured molded plywood splints, which were used by doctors in the U. After extensive research and experimentation, they had mastered the process of steaming and reshaping the sheets of plywood into complex curves. In developing their competition entry, they combined their knowledge of splints, love of modern chairs, understanding of painting, and mastery of architecture.
Their plywood chair, designed in collaboration with architect Eero Saarinen, was awarded the first prize. A series of Eames designs followed, including a metal and plywood version in 6. To create the plastic chairs, the Eames team invented a new manufacturing process. This led to a breakthrough in the field of furniture design. By addressing a need, researching existing designs, making comparisons, and combining the best characteristics of existing chairs, the Eames team produced a new kind of chair and thus firmly established themselves as leaders in the design field.
The Fine Art Process For a designer, the problem-solving process begins when a client requests help or the designer identifies a specific need. With the Eames chair, the museum competition provided the impetus for an experiment that reshaped an industry. Contemporary sculptors, filmmakers, painters, and other fine artists generally invent their own aesthetic problems.
Ideas often arise from personal experience and from the cultural context. Working more independently and with fewer deadlines, artists can explore ideas and issues of personal interest.
Sources of Ideas Regardless of the initial motivation for their work, both artists and designers constantly scan their surroundings in an omnivorous search for images and ideas. As demonstrated by the profiles that appear throughout this book, the most improbable object or idea may provide inspiration.
Biological systems inspire sculptor Heidi Lasher-Oakes. If you are at a loss for an idea, take a fresh look at your surroundings. Here are three strategies. If you consider all the ideas that can be generated by a set of car keys, a pair of scissors, or a compass, you will have more than enough to get a project started. Study Nature Ceramicist Ray Rogers is inspired by many natural forms, including mushrooms, stones, and aquatic life.
His spherical pots 6. In figure 6. Through an inventive use of materials, both artists have reinterpreted nature. Visit a Museum Artists and designers frequently visit all kinds of museums. Carefully observed, the history and physical objects produced by any culture can be both instructive and inspirational.
Looking at non-Western artwork is especially valuable. Unfamiliar concepts and compositions can suggest new ideas and fresh approaches. First developed by a man who had revived from a deadly illness, it depicts the supernatural abilities including flight that he gained during his experience. His descendants now have the right to construct and wear this special mask. By understanding the story and studying this mask, you can more readily design a mask based on your own experiences.
Significant When substantial amounts of time, effort, and money are being spent, it is wise to prioritize problems and focus on those of greatest consequence. Identifying and prioritizing your major goals can help you determine the significance of a job. Socially Responsible Characteristics of a Good Problem Regardless of its source, the problem at hand must fully engage either the artist or the designer. Whether it is assigned or invented, a good problem generally includes the following characteristics.
With the human population above 6 billion, it is unwise to pursue a project that squanders natural resources.
What resources will be required for a major project, and how will you dispose of resulting waste? Increasingly, designers consider the environmental as well as the economic implications of each project.
Design is deliberate—a process of exploring multiple solutions and choosing the most promising option.
Through an immersion in 2-D, 3-D, and 4-D concepts, students are encouraged to develop methods of thinking visually that will serve them throughout their studies and careers. Building on strengths of the previous four editions, Launching the Imagination, 5e, is even more: Concise - every sentence has been refined, so that maximum content can be communicated as clearly and concisely as possible; Colorful - in addition to full-color throughout the book, the writing livelier than that in most textbooks.
Analogies are often used to expand communication, and every visual example has been carefully selected for maximum impact; Comprehensive - LTI is the only foundational text will full sections devoted to Critical and Creative Thinking and to Time-based Design. Photo program is global, represents a myriad of stylistic approaches, and prominently features design and media arts as well as more traditional art forms; Contemporary - over half of the visual examples now represent artworks completed since , and over of the artworks now date from to the present; Compelling - four new Applied Creativity interviews have been added to this edition.
With at least four visual examples per interview, this new feature follows the process by which leading artists and designers have developed their artworks.
In Chapter 5 designer Steve Quinn describes the seven-step sequence he uses in developing websites, logos, and motion graphics. In Chapter 6, Jim Elniski describes Greenhouse Chicago, an adaptive re-use home that is both highly energy-efficient and beautiful.
In Chapter 7, Kendall Buster describes stages in the completion of a complex sculpture, from preliminary drawing to installation. In Chapter 8, painter Carrie Ann Baade discusses the sources of her images and four major steps in their development. Five artist Profiles have also been retained from previous editions: Up to eight additional interviews can be added to through custom editions. Working together, the Applied Creativity interviews and the Profiles give students direct access to a wonderful range of practicing artists and designers.
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